By Laurie Niles: In an effort to promote the coverage of live violin performance, Violinist.com each week presents links to reviews of notable concerts and recitals around the world.![Maria Duenas]()
Violinist María Dueñas. Photo by Tam Lan Truong.María Dueñas performed the world premiere of Gabriela Ortizs "Altar de Cuerda" with the Los Angeles Philharmonic.Margaret Batjer and cellist Andrew Shulman performed Brahms' Double Concerto with the Los Angeles Chamber Orchestra.Tim Kliphuis performed his own "Ulysses" Violin Concerto with the Wight Symphony Orchestra.
Violinist María Dueñas. Photo by Tam Lan Truong.
- Los Angeles Times: "'Cuerda' was dedicated to Dueñas, (who) is already an exceptional musician. Poised and unshowy, she owns this exceedingly difficult concerto. Her tone is slender but so purposefully focused that it easily carries...when Ortiz asks for a plum-rich, vibrating expressiveness, she manages that brilliantly."
- Star Tribune: "Kuusisto took a work known as a perfect embodiment of the ethereal, and made it feel like a celebration of the natural world in all its flaws and beauty. He played with a moving sense of loss and longing, as if seeking transcendence but tugged down by sadness, nevertheless continuing to rise."
- TwinCities.com: "In its beginning, the music holds a pastoral quality, filled with longing. Kuusisto just brushes the violin with his bow, making a ghostly sound with his instrument. Later, the volume increases, and we hear the call of the lark in Kuusistos playing."
- Pittsburgh Post-Gazette: "Soulful and stirring in the opening melodies and dazzling in the runs that followed, Kenney maintained this sense of poise and polish throughout the piece....Truly a marvelous performance."
- San Francisco Classical Voice: "Batjer and Shulman brought a conversational cadence: affable, gently ribbing, sometimes laughing."
- Northwest Reverb: "...she showed her consummate skill and artistry straight away from the initial downbeat. She created sublime lyrical lines, garnished with florid runs and an absolutely sweet but not syrupy tone. Her cadenza contained exciting high notes that set the stage for a wickedly furious ending of the first movement."
- The Daily Courier: "The magic began the moment Leong drew his bow across the strings and it was clear both he and conductor Rosemary Thomson understood Beethovens vision of soloist and orchestra as equal partners...Even the simplest musical ideas were played with grace and exquisite attention to detail."
- On the Wight: "The concerto began quietly...then became a virtuoso performance of huge variety and musical delight, led by Mr. Kliphuis and his violin, through a journey of what seemed to me to be every kind of violin playing that I ever heard, plus many I hadnt even imagined."
- Cambridge Independent: "...more of a tone poem than a concerto in one continuous movement, (they inhabited) the piece gloriously together and with obvious enjoyment. Their distinguished performance of a complex and demanding composition was roundly and deservedly applauded."
- The Week in Reviews, Op. 353: Rachel Barton Pine; Pinchas Zukerman subs for Itzhak Perlman; Daniel Hope & Paul Neubauer
- The Week in Reviews, Op. 352: Gil Shaham; Anne Akiko Meyers; Cho-Liang Lin
- The Week in Reviews, Op. 351: Vilde Frang; Philippe Quint; Alexander Kerr & Meredith Kufchak
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