By Claire Allen: Before the ASTA/SAA Conference even started, "Unlocking the Strengths of Neurodivergent Learners," presented by Tamara Gonzalez and Christine Goodner was on the top of my list to attend.![Tamara Gonzalez and Christine Goodner]()
Tamara Gonzalez and Christine Goodner.
As a violin teacher, supporting neurodivergent learners is something I wanted to learn more about, and I wasnt alone. This was a packed room full of teachers and parents of all different instruments. It was clear from the presentation - a short 45 minutes! - that this barely scratched the surface. Im hopeful that this wont be the last time this topic is shared about at a conference.
The presentation combined extensive research with poignant personal experience. Gonzalez is the parent of two neurodivergent learners currently engaged in music lessons, and Goodner was diagnosed with ADHD as an adult. They also both have extensive experience teaching and supporting neurodivergent students.
They started by defining "neurodiversity" as the diversity of the human mind, which includes literally everyone, as all our brains are different. "Neurodivergence" is when someone has a brain that functions differently from the norm, so people with diagnoses of autism, ADD (Attention Deficit Disorder), and/or ADHD (Attention-Deficit Hyperactivity Disorder) fit into the category of "neurodivergent." Someone who is "neurotypical" has a brain that functions with what is considered typical neurological development and/or functioning.
One of the core tenets of the Suzuki method is that "Every child can." Teachers struggling to understand a neurodivergent student may doubt this, but the presenters gave us an expanded definition: "Every child can learn, but not every child will learn in the same way or at the same pace."
A diagnosis of a particular kind of neurodivergence helps in describing possible traits and behaviors, which can also be observed by the teacher. But while teachers may work with students and families who have a diagnosis, they may also work with students who are not diagnosed, or even with families who prefer not to seek out a formal diagnosis. Goodner and Gonzalez emphasized that this is a personal choice, and that even without a diagnosis, a teachers observations can be used to create support systems and strategies to help the student learn, recognizing that every brain is unique and every student learns differently.
For teachers, being mindful of language and tone is important when working with all students - but especially when working with neurodivergent learners. The presenters shared the sobering statistic that by the age of 12, neurodivergent learners receive 20,000 more corrective or negative comments than their non-diagnosed peers. The impact this has on a young students self-image and self-worth is hard to comprehend.
Gonzalez and Goodner offered a description of some traits, specific strategies, and ways to support students with different types of neurodivergence.
For students with ADD/ADHD:
These students may get easily distracted mid-task, struggle to know what the most important thing is amid multiple tasks, and experience very detailed sensory perception.
Some ways to support them in lessons include:For Students with Autism Spectrum Disorder (ASD):
For me, not knowing very much about ASD, the most interesting thing was learning that ASD diagnoses come with one of three different levels, which describes the type of support the person needs. A student with ASD may have behavior and language loops or repetitive behaviors, overwhelming perseverant or intrusive thoughts, underdeveloped fine or gross motor skills, emotional disregulation, and/or sensory sensitivity. A teacher needs to be able to recognize these not as something that is "wrong" with the student but as something to support and work with.
One thing that really struck me about autistic learners is just how crucial the role of sensory input can be. Sensory sensitivity is something that must be accommodated in order for learning to happen, and working with it can be the difference between a successful learning experience and a meltdown over something that may seem trivial to the teacher but is causing an agony of discomfort to the student.
Our presenters emphasized that these students are all perfectly capable of learning a musical instrument - but the adults around them may need to support them in ways that to our brains seem unnecessary. For example:

Tamara Gonzalez and Christine Goodner.
- Taking breaks to allow them to move
- Game-ifying movement, i.e. having them do five jumping jacks for each correct repetition of a tricky spot.
- Using different learning spaces if available - change locations in the classroom, alternate standing and sitting, etc.
- Using games to make repetition fun
- Introducing novelty - even if they need to work on the same technical concept or the same part of a piece, find a way to make it new each time to keep them engaged.
- Things may need to be broken into even smaller steps
- We may need to spend lesson time helping with emotional regulation
- Students may need more scaffolded learning for longer than we think.
- Prepare - Knowing what you have observed about the student, prepare supports and modifications for their lesson time with you.
- Implement - During the lesson, implement those plans.
- Reflect - Afterward, reflect on what worked and what didnt, and what to try next time.
- A Deep Dive into Left Hand Technique at the 2024 ASTA/SAA Conference
- Vijay Gupta at ASTA/SAA 2024: Music as a Place of Possibility
- Past and Present ASTA Conference Coverage
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