By Laurie Niles: In an effort to promote the coverage of live violin performance, Violinist.com each week presents links to reviews of notable concerts and
recitals around the world.Leonidas Kavakos performed Prokofiev's Violin Concerto No. 2 with the Boston Symphony Orchestra.![Leonidas Kavakos]()
Leonidas KavakosHilary Hahn performed the Bernstein Serenade with the Los Angeles
Philharmonic.Gil Shaham performed the Mendelssohn with the Chicago Symphony Orchestra.
- Boston Globe: "But it was the modicum of extra heat and intensity he brought to the rhythmically feisty finale that raised this performance up a few notches in excitement."
- The Republican: "Kavakos delivered a fascinating performance of Prokofiev's mercurial second violin concerto."
- The Boston Musical Intelligencer: "Kavakos bravely projected a sinewy and precisely focused but not overly large sound, rather than digging in for relentlessly broad but less subtle effects. He demanded no spotlight. Well-judged rubato, expressive and highly varied vibrato were two small but sovereign arrows in his distinctive interpretative quiver. His dead-nuts intonation, like that of Heifetz, Milstein, and Kremer, permits effective projection even in quiet expression."

Leonidas Kavakos
- Violinist.com: " The fifth movement was where everyone hit their stride."
- Los Angeles Times: "(Heyward) then settled down for the Serenade, allowing Hahn, who performed the piece from memory, to conjure some of her warmest, most autumnal and, when appropriate, spikiest playing."
- Chicago Classical Review: "The violinist brought his singular combination of sweet, singing tone and easy virtuosity to this uber-familiar musicas well as his quirky, restless stage presence."
- Chicago Tribune: "Shaham appeared to be out to set new land speed records for the concerto. All three movements were faster than usual, amazingly well played, to be sure, with bright, sweet tone. But where was the lyrical charm and, in the finale, the puckish fantasy?"
- The Arts Desk: "In effect much of the one-movement concerto was searing cadenza from the compellingly intense Batiashvili."
- The Guardian: "...the concerto does make a fine showcase for Batiashvilis fearless playing, which is so tonally rich and technically immaculate. Hillborg had provided her encore, too a violin-and-orchestra arrangement of a Bach chorale prelude that gave everyone even more opportunity to wonder at the faultless purity of Batiashvilis playing." Listen to this concert for the next month on the BBC iPlayer.
- South Florida Classical Review: "Benedetti exhibited an affinity for the scores allusion to gypsy fiddling and seemed to grasp the works more poetic imagery but lacked the necessary polish."
- The Florida Times-Union: "Soloist Tai Murray is a force whose range and color of tone seems boundless. With commanding presence and infectious confidence, her intonation never strayed, even in passages of fastest filigree."
- Edinburgh Guide: "Hadelich relished it and Peter Oundjian took no time in encouraging him to give an encore: the Andante from Bach's Second Sonata."
- The Scotsman: "By and large, Hadelichs refined presentation and anchored gait tempered the works bubbly exuberance with controlled excitement, all satisfyingly to its benefit."
- The Buffalo News: "Sussman played with accuracy and lightning-quick virtuosity."
- Summerland Review: "His technical passages were effortless, and his fingers flew up and down the fingerboard with trills so fast they sounded like harmonics."
- Belfast Telegraph: "Rosanne Phillipens, standing in for the indisposed Esther Yoo, rose to the occasion superbly on Friday evening and deservedly received a prolonged standing ovation."
- Santa Monica Mirror: "The young and brilliantly talented violin soloist Annelle Gregory performed the Korngold violin concerto with the Santa Monica Symphony."